Chinese cultural heritage symbol: sun bird gold decoration pattern

中国文化遗产标志：太阳神鸟金饰图案

The sun bird pattern reflects the cultural connotation of "unity of heaven and man, self-improvement and courage".

-----Zhuge Changqing

Chinese culture is extensive and profound, and Zhuge Changqing believes that it is more to inherit and carry forward.

The history and culture of many places will slowly disappear if they cannot be preserved.

China has found this problem and attaches great importance to the protection and inheritance of historical culture.

Chinese cultural heritage is a plan launched by the State Administration of Cultural Heritage of the People's Republic of China to protect the precious historical relics, historical sites and art forms preserved in China.

On August 15, 2005, the 15th Director General's Office Meeting of the State Administration of Cultural Heritage decided to officially adopt the gold decoration patterns unearthed at the Jinsha Site in Chengdu, Sichuan Province as the symbol of China's cultural heritage. On August 16, the State Administration of Cultural Relics issued an official announcement.

The Jinsha Site of Chengdu was found in Jinsha Village, northwest of Chengdu in February 2001. It is the first major archaeological discovery in China since the 21st century.

Jinsha Shangzhou Site is the most important archaeological discovery in Sichuan Province after Sanxingdui. It is very likely to be the capital of the ancient Shu Kingdom from the late Shang Dynasty to the Western Zhou Dynasty, a political, economic and cultural center rising in Chengdu after the decline of Sanxingdui civilization.

Zhuge Changqing believes that the Chinese culture is extensive and profound. Due to the historical development and changes, it is difficult for modern people to reach the core. Only by studying, inheriting and innovating slowly can new vitality flourish. Today's Chinese people should contribute to the continuation of Chinese culture.

Archaeological exploration and excavation confirmed that the Jinsha site, with an area of more than 5 square kilometers, is a large site of Shu cultural center in the Shang and Zhou Dynasties.

More than 700 important cultural relics, such as jade, bronze, gold and divination armour, were unearthed from the Western Zhou strata in the "Meiyuan" excavation area in the east of the site. Three important relics have been found, including the ivory accumulation pit, the distribution area of semi-finished products of Shibi and Shizhang, and the concentrated distribution area of wild boar tusks, antlers, ivory, pottery and beautiful stones. It is speculated that they are all related to religious rituals. The "Lanyuan" excavation area in the south-central found a large number of building relics, more than 300 ash pits, more than 30 tombs, and a pottery kiln. Tens of thousands of pottery, pottery chips and a small amount of jade, bronze, and gold ware were unearthed. It was about the late Shang Dynasty. The house site is a wooden (bamboo) bone mud wall building with foundation trench. Pottery kilns are small steamed bread kilns, which are the earliest kilns found in Sichuan Province. The excavation area of the "Sports Park" in the middle of the country has cleaned up the remains of houses and buildings and 15 tombs. The phased results show that the Jinsha site has a certain layout structure.

There are more than 2000 important cultural relics excavated from the Jinsha Site, including more than 40 gold articles, more than 700 bronze articles, more than 900 jade articles, more than 300 stone articles, and more than 40 ivory bone articles. In addition, a large number of ivory and tens of thousands of pottery and pottery chips were also unearthed. The large building site found at Jinsha Site, consisting of five houses with an area of nearly 2000 square meters, is the largest wooden structure building site in the same period found in southwest China so far; The sacrificial remains of more than 5000 square meters are one of the best preserved, longest lasting and most abundant sacrificial relics and relics in the Shang and Zhou Dynasties in China. More than 200 gold wares have been unearthed at Jinsha Site, with exquisite craftsmanship and strong artistic expression; There are more than 2000 jade articles, which are rich in variety and exquisite in manufacture; The round stone statue is vivid in shape; Lacquered wood, beautifully decorated and well preserved; Hundreds of tons of ivory are rare in the world.

The discovery of Jinsha Site further proves that Chengdu Plain is the center of the origin of civilization in the upper reaches of the Yangtze River, one of the centers of origin of ancient Chinese civilization, and an integral part of Chinese civilization. It, together with the prehistoric ancient city sites in Chengdu Plain, Sanxingdui Site and the Warring States ship coffin tomb, constructed four different stages of the development and evolution of ancient Shu civilization, filling the gap in Chinese archaeological research.

In the legend of Sichuan's ancient history, there were many records related to the Yellow Emperor, Zhuanxu and Dayu, which showed that the ancient Shu people had a deep relationship with the Chinese ancestors.

Zhuge Changqing's research found that the influence of Chinese culture is extremely far-reaching, and traces of Chinese culture have been found not only in China, but also around the world.

At least 70 oracle bone inscriptions in the Yin Ruins recorded the relationship between Shu and Shang. A large number of unearthed artifacts have proved that the archaeological culture of the pre-Qin period in the Sichuan Basin was strongly influenced by the cultures of the Central Plains, the middle and lower reaches of the Yangtze River, and the Gansu and Qinghai regions. For example, jade zhang, jade yue, jade dagger, jade tooth bi, porous jade knife, single knot jade cong, jade gui, stone spear, pottery he and some copper container fragments all have the characteristics of the same kind of artifacts in the Central Plains of the three dynasties; Ten sections of jade cong should come from Liangzhu culture in the lower reaches of the Yangtze River; Concave jade chisels unearthed at Jinsha site have also been found in Yunnan, Guangxi, Vietnam and other places. This shows that the Jinsha site has a very close relationship with the surrounding archaeological culture. Jinsha Site is a typical representative of ancient civilization in the upper reaches of the Yangtze River. Its discovery provides archaeological evidence for the theory of "pluralistic integration" of Chinese civilization. The discovery of Jinsha Site was listed as the top ten archaeological discoveries of cultural relics in China in 2003.

The gold decoration pattern of the sun god bird, which has become a symbol of China's cultural heritage, is a four-bird circling the sun, and the simplified Chinese "Chinese cultural heritage" is used above the heritage symbol; The Chinese pinyin "ZHONG GUO WEN HUA YI CHAN" is used below. Local minority languages can be used in ethnic autonomous areas, and English "CHINA CULTURAL HERITAGE" or other national languages can be used in foreign exchanges.

In addition, the standard color of Chinese cultural heritage signs is gold, and other colors can also be used according to different needs. The core of the gold decoration cultural relic pattern can be used alone in addition to the use of words.

Zhuge Changqing found that this map is actually the energy map of the universe. Our ancestors have observed thoroughly and directly absorbed the energy of the universe.

According to relevant sources, the reason why the State Administration of Cultural Heritage considered the design of the sun god bird as a symbol of China's cultural heritage is that the design of the sun god bird has profound meaning, strict composition, smooth lines and great aesthetic feeling, which is the perfect combination of the ancient people's philosophy of "unity of nature and man", rich imagination, extraordinary artistic creativity and exquisite craftsmanship. "The design of the sun god bird is concise and has good emblem recognition characteristics," said the person.

Relevant people said that the sun bird pattern is an outstanding representative of the art form of worship of the sun by the Chinese ancestors. As a symbol of China's cultural heritage, it reflects the strong cohesion and centripetal force of the traditional culture of the Chinese nation, and shows the spirit of the Chinese nation's self-improvement and uplifting.

Zhuge Changqing's research found that China attached great importance to the emblem in ancient times, and there were deep marks on bronze, pottery and cliff.

In addition, the Sunbird Gold Ornament, unearthed at the Jinsha Site in Chengdu in 2001, is a major archaeological discovery in China in the 21st century, reflecting the achievements of China's cultural relics protection work.

The spiritual implication of pursuing brightness, unity and progress, harmony and inclusiveness expressed in the design of the Sunbird reflects the strong sense of responsibility and sacred mission of the Chinese government and people to protect the cultural heritage of the motherland.

At last, the person pointed out that the sun in the pattern of the divine bird sprayed twelve rays around it, showing a strong sense of movement, symbolizing light, life and eternity.

The "twelve" and "four" of the twelve rays of the sun and four birds are frequently used in Chinese culture, such as the twelve months, the twelve zodiac signs, the four seasons, and the four directions, which express the profound understanding of the ancestors on the laws of nature. The four divine birds flying around the sun reflect the ancestors' yearning for a better life, and embody the meaning of freedom, beauty and unity. The overall perfect circular pattern implies national unity, harmony and inclusiveness, and the circular enclosure also reflects the concept of protection.

In ancient Chinese myths and legends, the sun bird is the sun and the phoenix. The word "phoenix" (the word "emperor") of the phoenix is just like the shape of the sun bird, which is endowed with the meaning of beauty, brilliance and sublimity. The myths of "Kuafu Chases the Sun" and "Houyi Shoots the Sun", the legends of birds living in the east, the story of Fengming Qishan's mandate, and even the titles of the three emperors, the five emperors and the supreme ruler after the Qin and Han dynasties are closely related to the sun and the phoenix.

(Reference for this article: Jiang Liang, reporter of Sichuan News Network)

The sun bird pattern reflects the cultural connotation of "unity of heaven and man, self-improvement and courage".

-----Zhuge Changqing

Chinese culture is extensive and profound, and Zhuge Changqing believes that it is more to inherit and carry forward.

The history and culture of many places will slowly disappear if they cannot be preserved.

China has found this problem and attaches great importance to the protection and inheritance of historical culture.

Chinese cultural heritage is a plan launched by the State Administration of Cultural Heritage of the People's Republic of China to protect the precious historical relics, historical sites and art forms preserved in China.

On August 15, 2005, the 15th Director General's Office Meeting of the State Administration of Cultural Heritage decided to officially adopt the gold decoration patterns unearthed at the Jinsha Site in Chengdu, Sichuan Province as the symbol of China's cultural heritage. On August 16, the State Administration of Cultural Relics issued an official announcement.

The Jinsha Site of Chengdu was found in Jinsha Village, northwest of Chengdu in February 2001. It is the first major archaeological discovery in China since the 21st century.

Jinsha Shangzhou Site is the most important archaeological discovery in Sichuan Province after Sanxingdui. It is very likely to be the capital of the ancient Shu Kingdom from the late Shang Dynasty to the Western Zhou Dynasty, a political, economic and cultural center rising in Chengdu after the decline of Sanxingdui civilization.

Zhuge Changqing believes that the Chinese culture is extensive and profound. Due to the historical development and changes, it is difficult for modern people to reach the core. Only by studying, inheriting and innovating slowly can new vitality flourish. Today's Chinese people should contribute to the continuation of Chinese culture.

Archaeological exploration and excavation confirmed that the Jinsha site, with an area of more than 5 square kilometers, is a large site of Shu cultural center in the Shang and Zhou Dynasties.

More than 700 important cultural relics, such as jade, bronze, gold and divination armour, were unearthed from the Western Zhou strata in the "Meiyuan" excavation area in the east of the site. Three important relics have been found, including the ivory accumulation pit, the distribution area of semi-finished products of Shibi and Shizhang, and the concentrated distribution area of wild boar tusks, antlers, ivory, pottery and beautiful stones. It is speculated that they are all related to religious rituals. The "Lanyuan" excavation area in the south-central found a large number of building relics, more than 300 ash pits, more than 30 tombs, and a pottery kiln. Tens of thousands of pottery, pottery chips and a small amount of jade, bronze, and gold ware were unearthed. It was about the late Shang Dynasty. The house site is a wooden (bamboo) bone mud wall building with foundation trench. Pottery kilns are small steamed bread kilns, which are the earliest kilns found in Sichuan Province. The excavation area of the "Sports Park" in the middle of the country has cleaned up the remains of houses and buildings and 15 tombs. The phased results show that the Jinsha site has a certain layout structure.

There are more than 2000 important cultural relics excavated from the Jinsha Site, including more than 40 gold articles, more than 700 bronze articles, more than 900 jade articles, more than 300 stone articles, and more than 40 ivory bone articles. In addition, a large number of ivory and tens of thousands of pottery and pottery chips were also unearthed. The large building site found at Jinsha Site, consisting of five houses with an area of nearly 2000 square meters, is the largest wooden structure building site in the same period found in southwest China so far; The sacrificial remains of more than 5000 square meters are one of the best preserved, longest lasting and most abundant sacrificial relics and relics in the Shang and Zhou Dynasties in China. More than 200 gold wares have been unearthed at Jinsha Site, with exquisite craftsmanship and strong artistic expression; There are more than 2000 jade articles, which are rich in variety and exquisite in manufacture; The round stone statue is vivid in shape; Lacquered wood, beautifully decorated and well preserved; Hundreds of tons of ivory are rare in the world.

The discovery of Jinsha Site further proves that Chengdu Plain is the center of the origin of civilization in the upper reaches of the Yangtze River, one of the centers of origin of ancient Chinese civilization, and an integral part of Chinese civilization. It, together with the prehistoric ancient city sites in Chengdu Plain, Sanxingdui Site and the Warring States ship coffin tomb, constructed four different stages of the development and evolution of ancient Shu civilization, filling the gap in Chinese archaeological research.

In the legend of Sichuan's ancient history, there were many records related to the Yellow Emperor, Zhuanxu and Dayu, which showed that the ancient Shu people had a deep relationship with the Chinese ancestors.

Zhuge Changqing's research found that the influence of Chinese culture is extremely far-reaching, and traces of Chinese culture have been found not only in China, but also around the world.

At least 70 oracle bone inscriptions in the Yin Ruins recorded the relationship between Shu and Shang. A large number of unearthed artifacts have proved that the archaeological culture of the pre-Qin period in the Sichuan Basin was strongly influenced by the cultures of the Central Plains, the middle and lower reaches of the Yangtze River, and the Gansu and Qinghai regions. For example, jade zhang, jade yue, jade dagger, jade tooth bi, porous jade knife, single knot jade cong, jade gui, stone spear, pottery he and some copper container fragments all have the characteristics of the same kind of artifacts in the Central Plains of the three dynasties; Ten sections of jade cong should come from Liangzhu culture in the lower reaches of the Yangtze River; Concave jade chisels unearthed at Jinsha site have also been found in Yunnan, Guangxi, Vietnam and other places. This shows that the Jinsha site has a very close relationship with the surrounding archaeological culture. Jinsha Site is a typical representative of ancient civilization in the upper reaches of the Yangtze River. Its discovery provides archaeological evidence for the theory of "pluralistic integration" of Chinese civilization. The discovery of Jinsha Site was listed as the top ten archaeological discoveries of cultural relics in China in 2003.

The gold decoration pattern of the sun god bird, which has become a symbol of China's cultural heritage, is a four-bird circling the sun, and the simplified Chinese "Chinese cultural heritage" is used above the heritage symbol; The Chinese pinyin "ZHONG GUO WEN HUA YI CHAN" is used below. Local minority languages can be used in ethnic autonomous areas, and English "CHINA CULTURAL HERITAGE" or other national languages can be used in foreign exchanges.

In addition, the standard color of Chinese cultural heritage signs is gold, and other colors can also be used according to different needs. The core of the gold decoration cultural relic pattern can be used alone in addition to the use of words.

Zhuge Changqing found that this map is actually the energy map of the universe. Our ancestors have observed thoroughly and directly absorbed the energy of the universe.

According to relevant sources, the reason why the State Administration of Cultural Heritage considered the design of the sun god bird as a symbol of China's cultural heritage is that the design of the sun god bird has profound meaning, strict composition, smooth lines and great aesthetic feeling, which is the perfect combination of the ancient people's philosophy of "unity of nature and man", rich imagination, extraordinary artistic creativity and exquisite craftsmanship. "The design of the sun god bird is concise and has good emblem recognition characteristics," said the person.

Relevant people said that the sun bird pattern is an outstanding representative of the art form of worship of the sun by the Chinese ancestors. As a symbol of China's cultural heritage, it reflects the strong cohesion and centripetal force of the traditional culture of the Chinese nation, and shows the spirit of the Chinese nation's self-improvement and uplifting.

Zhuge Changqing's research found that China attached great importance to the emblem in ancient times, and there were deep marks on bronze, pottery and cliff.

In addition, the Sunbird Gold Ornament, unearthed at the Jinsha Site in Chengdu in 2001, is a major archaeological discovery in China in the 21st century, reflecting the achievements of China's cultural relics protection work.

The spiritual implication of pursuing brightness, unity and progress, harmony and inclusiveness expressed in the design of the Sunbird reflects the strong sense of responsibility and sacred mission of the Chinese government and people to protect the cultural heritage of the motherland.

At last, the person pointed out that the sun in the pattern of the divine bird sprayed twelve rays around it, showing a strong sense of movement, symbolizing light, life and eternity.

The "twelve" and "four" of the twelve rays of the sun and four birds are frequently used in Chinese culture, such as the twelve months, the twelve zodiac signs, the four seasons, and the four directions, which express the profound understanding of the ancestors on the laws of nature. The four divine birds flying around the sun reflect the ancestors' yearning for a better life, and embody the meaning of freedom, beauty and unity. The overall perfect circular pattern implies national unity, harmony and inclusiveness, and the circular enclosure also reflects the concept of protection.

In ancient Chinese myths and legends, the sun bird is the sun and the phoenix. The word "phoenix" (the word "emperor") of the phoenix is just like the shape of the sun bird, which is endowed with the meaning of beauty, brilliance and sublimity. The myths of "Kuafu Chases the Sun" and "Houyi Shoots the Sun", the legends of birds living in the east, the story of Fengming Qishan's mandate, and even the titles of the three emperors, the five emperors and the supreme ruler after the Qin and Han dynasties are closely related to the sun and the phoenix.

(Reference for this article: Jiang Liang, reporter of Sichuan News Network)

太阳神鸟图案体现了“天人合一、自强不息、奋勇向前”的文化内涵。

----- 诸葛长青

    中国文化博大精深，诸葛长青认为，更多的是需要继承发扬。

    很多地方的历史文化，如果不能够保留，就会慢慢消失掉。

   我国已经发现这个问题，并十分重视历史文化保护传承工作。

   中国文化遗产是由中华人民共和国国家文物局为保护保存在中国境内的珍贵的历史文物、历史遗址、艺术形式而启动的计划。

   国家文物局2005年8月15日第15次局长办公会议研究决定，正式采用四川成都金沙遗址出土的金饰图案作为中国文化遗产标志。8月16日，国家文物局发出了正式启用公告。

   成都金沙遗址于2001年2月发现于成都市区西北部金沙村，是中国进入二十一世纪后的第一个最为重大的考古发现。   
   金沙商周遗址是四川省继三星堆之后最为重大的考古发现，极有可能是三星堆文明衰亡后在成都地区兴起的一个政治、经济、文化中心——古蜀国在商代晚期至西周时期的都邑所在。

   诸葛长青认为，中国文化博大精深，由于历史发展变迁，现代的人是很难接触到核心的，只有慢慢研究、继承、创新，才会勃发新的生机活力。今天的中国人要为国学文化延续，贡献自己的力量。
   考古勘探和发掘确认金沙遗址分布面积在5平方公里以上，是一处大型的商周时期蜀文化中心遗址。
    遗址东部的“梅苑”发掘区的西周地层出土玉器、铜器、金器、卜甲等重要文物700余件。并发现了象牙堆积坑，石璧、石璋半成品分布区，成片的野猪獠牙、鹿角、象牙、陶器和美石集中分布区等三处重要的遗迹现象。推测都与宗教仪式活动有关。中南部的“兰苑”发掘区发现有大量的房屋建筑遗迹、300余个灰坑、30余座墓葬、1座陶窑，出土数以万计的陶器、陶片和少量的玉石器、铜器、金器等。时代约当商代晚期。房址均是挖基槽的木（竹）骨泥墙式建筑。陶窑均是小型馒头窑，是四川省目前发现的时代最早的窑址。中部的“体育公园”发掘区清理房屋建筑遗迹和15座墓葬。阶段性成果表明，金沙遗址是有着一定布局结构的。
  金沙遗址清理和发掘出土的重要文物共2000余件，包括金器40余件、铜器700余件、玉器900余件、石器300余件、象牙骨器40余件等。此外，还出土了数量众多的象牙和数以万计的陶器、陶片等。 金沙遗址发现的大型建筑基址，由5座房址组成，面积近2000平方米，是迄今发现的我国西南地区同时期规模最大的木结构建筑基址；超过5000平方米的祭祀遗存，是我国商周时期保存最好，延续时间最长，祭祀遗迹和遗物最丰富的祭祀遗存之一。金沙遗址已出土金器200余件，工艺精湛，艺术表现力极强；玉器达2000余件，种类丰富，制作精细；圆雕石像造型生动；漆木器，纹饰精美，保存较好；数以吨计的上百根象牙的出土举世罕见。

  金沙遗址的发现进一步证明成都平原是长江上游文明起源的中心，是中华古代文明的起源中心之一，是中华文明的有机组成部分。它与成都平原的史前古城址群、三星堆遗址、战国船棺墓葬共同构建了古蜀文明发展演进的四个不同阶段，填补了中国考古学研究的空白。

  在四川古史传说中，曾留下了许多与黄帝、颛顼、大禹有关的记载，说明古蜀族与华夏祖先有着极深的渊源。

  诸葛长青研究发现，中国文化影响极为深远，不仅在我国国内，世界各地都发现了中华文化的痕迹。   

  在殷墟甲骨卜辞中至少有70条记载了蜀与商之间的关系。大量的出土器物证明，四川盆地的先秦考古学文化受到中原地区、长江中下游地区和甘青地区等文化的强烈影响。如玉璋、玉钺、玉戈、玉牙璧、多孔玉刀、单节玉琮、玉圭、石矛、陶盉和部分铜容器残件等均具有三代中原同类器物的特征；十节玉琮应是从长江下游地区的良渚文化辗转流传而来；金沙遗址出土的凹刃玉凿在云南、广西、越南等地也有发现。这表明金沙遗址与周边考古学文化有着极为密切的联系。金沙遗址是长江上游古代文明的典型代表，它的发现为中华文明"多元一体"学说提供了考古学实证。  金沙遗址的发现被列为2003年全国十大文物考古发现。

　　成为中国文化遗产标志的太阳神鸟金饰图案为四鸟绕日图，遗产标志上方采用简体中文“中国文化遗产”；下方采用汉语拼音“ZHONG GUO WEN HUA YI CHAN”，民族自治地方可使用当地少数民族文字，在对外交往工作中可使用英文“CHINA CULTURAL HERITAGE”或其他国家文字。
   此外，中国文化遗产标志标准色彩为金色，也可根据不同需要使用其他颜色。而其核心的金饰文物图案，除了配合文字使用外还可以单独使用。

  诸葛长青研究发现，这个图实际上又是宇宙能量图。我们的祖先已经观察透彻，直接汲取宇宙能量。

　　据有关人士透露，国家文物局之所以考虑采取太阳神鸟图案作为中国文化遗产标志，首先是认为太阳神鸟图案寓意深远、构图严谨、线条流畅、极富美感，是古代人民“天人合一”的哲学思想、丰富的想象力、非凡的艺术创造力和精湛的工艺水平的完美结合。“太阳神鸟图案的造型精练简洁，具有较好的徽识特征”，这位人士说。

　　有关人士表示，太阳神鸟图案是中华先民崇拜太阳艺术表现形式的杰出代表之作。以此作为中国文化遗产的标志，体现了中华民族传统文化强烈的凝聚力和向心力，表现了中华民族自强不息、昂扬向上的精神风貌。

    诸葛长青研究发现，我国古代就对标徽十分重视，铜器、陶器、山崖上都有深深的印记。

   此外，太阳神鸟金饰2001年出土于成都金沙遗址，是21世纪我国考古的重大发现，体现了中国文物保护工作的成果。

   太阳神鸟图案所表达的追求光明、团结奋进、和谐包容的精神寓意，彰显了中国政府和人民保护祖国文化遗产的强烈责任心和神圣使命感。

　　该人士最后指出，神鸟图案中向四周喷射出十二道光芒的太阳，呈现出强烈的动感，象征着光明、生命和永恒。

   十二道太阳光芒与四鸟的“十二”与“四”是中国文化经常使用的数字，诸如十二个月、十二生肖、四季、四方等等，表达了先民们对自然规律的深刻认识。环绕太阳飞翔的四只神鸟，反映了先民们对美好生活的向往，体现了自由、美好、团结向上的寓意。而整体完美的圆形图案寓意民族团结、和谐包容，圆形的围合也体现了保护的概念。

   在中国远古神话传说中，太阳鸟就是阳乌和凤凰，凤凰的“凰”字（即“皇”字）正像太阳鸟的形状，被赋予了美丽辉煌和崇高无上的含义。“夸父追日”、“后羿射日”的神话，东方民族的鸟生传说，凤鸣岐山的受命故事，乃至于三皇、五帝和秦汉以后最高统治者的称号，都与太阳和凤凰有着密切的关系。

   （本文参考资料：四川新闻网讯 记者 蒋亮)

 (This article is an original article by Zhuge Changqing, and the pictures are selected from the Internet. Welcome to forward it, and please indicate the source for forwarding)

Introduction to Zhuge Changqing: Zhuge Changqing, the inheritor and promoter of traditional Chinese culture, is willing to "learn from sages, promote virtue, revitalize China and benefit the world" together with people with the same ideals in the world.

(Zhuge Changqing: zhuge8031@163.com ）

Zhuge Changqing mailbox：

zhuge8031@163.com

Zhuge Changqing's Chinese Dream

Learn from sages and carry forward virtue

Revitalizing China for the benefit of the world

 （本文是诸葛长青原创文章，图片选自网络。欢迎转发，转发引用请注明出处）

诸葛长青简介：诸葛长青，中国国学传统文化传承弘扬者，愿与天下志同道合者一起“学习圣贤、弘扬善德、振兴中华、造福世界”。

（诸葛长青：zhuge8031@163.com）

Zhuge Changqing mailbox：

zhuge8031@163.com

  诸葛长青中国梦  

学习圣贤 弘扬善德

振兴中华 造福世界

Selected Articles in Previous Periods

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往期精选文章

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1The wisdom of traditional Chinese culture changes the destiny: filial piety to parents+five in one+self-improvement

1 国学智慧改命运：孝敬父母+五合一+自强不息

2Zhuge Changqing's Three Golden Keys to Changing Destiny

2诸葛长青改命运三把金钥匙诸葛长青施食仪轨 （十五步简洁版）

3Zhuge Changqing's Greeting Ritual (15 Steps Concise Version)

3 诸葛长青施食仪轨 （十五步简洁版）

4How to repent: the ritual of repentance and the method of repentance (full version)

4   如何忏悔：忏悔仪轨忏悔方法（完整版）

5How to read the Dizang Sutra: Methods for reciting Dizang Sutra (complete version)

5 如何念地藏经：念地藏经仪轨方法（完整版）

6How to release? The ritual of releasing life

6怎样放生？放生仪轨

7Zhuge Changqing's Repentance Culture: A Case Study of Repentance Methods for Changing Destiny

7诸葛长青忏悔文化：改变命运忏悔方法案例

8Free Life Culture: Free Life Culture in Ancient China

8放生文化：中国古代的放生文化

9Shocking photo of feeding: Buddha, Bodhisattva and Dharma Protector come to the scene

9施食震撼照片：佛菩萨护法神亲临现场

10Feeding Rite Return: the return is changed to simple return

10施食仪轨回向：回向修改为简洁回向